Joining the international commemorations of the fiftieth anniversary of the death of Pablo Picasso (1881–1973), the Fondation Beyeler will present a selection of ten late paintings in one room concerned with images of artist and model. Picasso. Artist and Model – last Paintings weiterlesen →
Gardens reflect identities, dreams, and visions. Deeply rooted in their culture, they can unfold immense symbolic potential. The recent revival of horticulture has focused less on the garden as a romantic refuge than as a place where concepts of social justice, biodiversity, and sustainability can be tried and tested. Gardens have become places of the avantgarde. The exhibition »Garden Futures« at the Vitra Design Museum is the first to explore the history and future of modern gardens. Where do today’s garden ideals come from? Will gardens help us achieve a liveable future for everyone? The exhibition addresses these questions using a broad range of examples from design, everyday culture, and landscape architecture – from deckchairs to vertical urban farms, from contemporary community gardens to living buildings to gardens by designers and artists including Roberto Burle Marx, Mien Ruys, and Derek Jarman. The exhibition architecture was designed by the Italian design duo Formafantasma. Garden Futures – Designing with Nature weiterlesen →
According to Tinguely, ‚we live in a wheeled civilisation‘. Even today, our lives are shaped largely by the relationship between man and machine and the resulting dependencies that Tinguely deconstructed with such relish. Now, for the first time since the museum was founded, its enlarged collection of Tinguely’s own works is to return to the great hall. There visitors will be able to discover the intricate and poetic early works, the explosive happenings and collaborations of the 1960s, and the musical, monumental and sombre works of Tinguely’s late period, all presented in an entertaining and eventful tour with many opportunities for hands-on participation. La roue = c’est tout: New permanent exhibition weiterlesen →
Born in New Jersey in 1923 as Shirley Sternstein, in 1949, the artist, now Mrs Jaffe, moved to Paris. Following her short-lived her marriage to the journalist Irving Jaffe, the painter decided to remain in France. Having soon established herself in the city, she held regular contact with the American “art expats” Norman Bluhm, Sam Francis, and Joan Mitchell, who had relocated to Paris somewhat later. Her work dating from this period may be attributed to Abstract Expressionism, a form that sought to draw exclusively from its own resources and which consisted primarily of wildly applied fields of colour and gestures. Although, for the art market at the time, this amounted to a success formula Jaffe nevertheless decided to strike out in a different direction. Shirley Jaffe – Form as Experiment weiterlesen →
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